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Saturday, July 9, 2016

Terrible Advice By Famous Authors by Sarah J. McNeal

I can almost guarantee that any author here who has done an interview has been asked the classic question: What advice would you give to an aspiring writer? I’m sure some of us have squirmed and given the question great thought in order to inspire someone who might want to become a writer. We may even think about the advice of our sage and famous authors who have gone before us and the answer they may have given to that question.

Most of us see a quote by a famous author and we’re eager to hold on to that nugget of wisdom with both hands. I even keep a little notebook with these lovely gems written in it. I’m all in when it comes to improving my writing and being the best writer I know how to be. Famous authors have already blazed that trail, so who better than a well-known author to learn how to improve my writing.

But hold on a minute, do these famous authors always spout literary wisdom, or could it be possible that maybe, just maybe, they may have thrown out some really horrible advice once in a while? Here are a few gems by famous authors which may prove to be the worst writing advice ever:


Edgar Allen Poe

“Include a beautiful woman with raven locks and porcelain skin, preferably quite young, and let her die tragically of some unknown ailment.”
–Edgar Allan Poe

“Write only when you have something to say.”
–David Hare

“Don’t have children.”  (I can’t help it. I’m thinking about the History Channel program: People: Population Zero on this quote)
–Richard Ford


Marguerite Duras

“Writing is trying to know beforehand what one would write if one wrote, which one never knows until afterward.”
Or: “There is something exhilarating about successful, magnificent mistakes.”
-Marguerite Duras’s

Here is Kathryn Davis’s account of how she knew when to abandon a book-in-progress:
The very first novel I wrote was horrible, as so many first novels are. I put my novel in a box and hid it somewhere. I don’t even know where it is anymore. When you’re working on a novel, you have this idea that it’s not easy to write one, and that one of the things you have to do is persist through the difficult times. Inevitably, there’s always that moment when you find yourself wondering, “Well, is this an instance of a problem that I have to persist through, or am I just working on a horrible novel that I should just get rid of?”
“You never have to change anything you got up in the middle of the night to write.”
— Saul Bellow


Ray Bradbury

“Quantity produces quality. If you only write a few things, you are doomed.” —Ray Bradbury

“Give your readers as much information as possible as soon as possible. To hell with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.” — Kurt Vonnegut
“Consistency is the last refuge of the unimaginative.”
— Oscar Wilde

“Don’t try.”  (Oh yes, this is a marvelous piece of advice. If we took it, no one would be writing anything anymore. We’d all be sitting around watching video games I suppose.)
— Charles Bukowski

“Write drunk; edit sober.”
— Ernest Hemingway

“Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.”
— George Orwell

“Avoid detailed descriptions of characters.” and “Same for places and things.”
—Elmore Leonard

“You must refrain from rewriting, except to editorial order.”
— Robert A. Heinlein

“Don’t be a draught-horse! Work with pleasure only.”
— Henry Miller

“You’re a Genius all the time”
— Jack Kerouac

“Stop reading fiction – it’s all lies anyway, and it doesn’t have anything to tell you that you don’t know already.” (Yeah, like who needs Shakespeare, Charlotte or Emily Bronte, Lousia May Alcott, F. Scot Fitzgerald, or any of the other great writers who made the unforgivable mistake of writing that tacky and unnecessary fiction.)
— Will Self


Ernest Hemingway

“Actually if a writer needs a dictionary he should not write. He should have read the dictionary at least three times from beginning to end and then have loaned it to someone who needs it. There are only certain words which are valid and similies are like defective ammunition.” (I guess I better not look up the word “similies” then.)
— Ernest Hemingway

Substitute “damn” every time you’re inclined to write ‘very;’ your editor will delete it and the writing will be just as it should be.
– Mark Twain

Immature poets imitate. Mature poets steal.
– C.S. Lewis

All the information you need can be given in dialogue.
– Elmore Leonard

Grammar is the Grave of Letters.
– Elbert Hubbard

Maybe you have some terrible advice you found from a famous author—bring it! I loved these quotes. Just when you hold an author you love up on that pedestal, be prepared for the day they said something really stupid just like the rest of us.



 Sarah J. McNeal  (not a famous author)

Sarah J. McNeal is a multi-published author of several genres including time travel, paranormal, western and historical fiction. She is a retired ER and Critical Care nurse who lives in North Carolina with her four-legged children, Lily, the Golden Retriever and Liberty, the cat. Besides her devotion to writing, she also has a great love of music and plays several instruments including violin, bagpipes, guitar and harmonica. Her books and short stories may be found at Prairie Rose Publications and its imprints Painted Pony Books, and Fire Star Press. Some of her fantasy and paranormal books may also be found at Publishing by Rebecca Vickery and Victory Tales Press. She welcomes you to her website and social media:


Monday, July 4, 2016

Opening Lines

Opening Lines

by Gerald Costlow  @RebeccaJVickery @GeraldCostlow #romance #books

Let's talk about the all important opening line of the story. What makes a good opening line? We'll begin with an example off the top of my head, from our vast collection of Very Important Novels.

"It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness..." (Charles Dickins, A Tale of Two Cities)

This quote is recognized by anyone who received a traditional education. It's certainly a famous opening line, but is it a good example for us to follow on how to start a story? In other words, if a publisher received this manuscript from an unknown writer named C. Dickens today, what would an editor think of this peculiar opening?

"Yes, Mister Dickens, it is clever, but gets in the way of the story. Delete the entire first paragraph and try again. Let events in the story show the reader why it was both the best and worst of times, depending on your situation. Don't lecture. Your audience will soon learn getting caught up in the French revolution sucked and being in London wasn't much better back then for the average citizen."

I guess writing styles have changed since the nineteenth century. Let's give you a couple of modern day opening lines from my work.



"Clyde Barrow stood over the grave of his wife and went insane." (Taking Liberty) I introduce a character at an important event that's critical to the story while warning the reader this is not a lighthearted comedy, all in the first sentence.

“My turn,” Deputy Seth Morgan said to his mule. “Knock, knock.” The mule put its ears back. “Who’s there?” it replied. (A Ring for a Lady) I introduce two characters, warn the readers this story is a bit of a tall tale, and let them know Seth is the kind of friendly deputy that likes to joke around. The reader learns later on that Seth still takes his job seriously.

Both examples get the reader into the story as quickly as possible, and that's all I asked. Simple and effective. Just as important, it gets me typing the story onto the page as quickly as possible. All writers share the experience of staring at a blank white page with a title across the top and needing to find that perfect place to start the story and the perfect opening line to start it with.

Writers would have already been given plenty of advice on what not to write. Don't begin with a weather report (It was a dark and stormy night with the wind south-southeast gusting to 20 knots.) Don't give a synopsis of the story (If I knew then what I know now, I would never have accepted the dare to sleep in a haunted house and caused the death of my good friend "M".) And for Heaven's sake don't regurgitate pages of backstory  (Long, long ago in a galaxy far, far away, an evil Empire ruled the planets and I'm going to start with a history lesson of the thousand years before that so pay attention all this is important to the plot, if you can find one.)

Of course, great writers break those rules all the time and get away with it. Does that mean you can, too? If you're breaking the rules just to prove you're a great writer, you aren't. If it's because the story needs something special in spite of the rules, then trust the story.

So what is the perfect opening? That's a trick question. There are a million opening lines but only one way to begin a story: engage the reader. Make the reader want to turn the page. How you do it is as individual as the story itself.

Now back to that blank white page. Here's a little trick I came up with that works for me, and it's the first time I've shared this secret. I imagine a tiny reader is on my shoulder. I say to the little guy, "Something marvelous happened. I'll tell you all about it." Then I fix the opening scene in my mind and start typing as I tell him the story. The opening lines come naturally to me that way, and I rarely have to revisit the beginning of the story in the editing stage.

If the little guy on my shoulder applauds as I type "The End", then I know I've written an interesting tale about interesting characters. And if this imaginary guy insists on following me around after that and commenting on my lack of a social life, I know it's time to take a break from writing. But I digress.

What's your favorite opening line?
  
P.S. I might not be Charles Dickens, but I can now tell the world I was quoted alongside that great author. I'll leave out the detail that I was the one doing the quoting. It was the tallest of times; it was the shortest of times… 


Gerald Costlow is currently writing a supernatural romance series that spans generations for VTP Publishing. You can find a list of his published stories at Gerald Costlow at Amazon.com. His blog (such as it is) can be found at http://theweaving.blogspot.com/ and he promises to get it caught up as soon as he finishes his next story.     

Happy 4th of July! @RebeccaJVickery